Thoughts on Star Wars: The Rise of Skywalker

One or two friends have asked for my opinion/review of Star Wars The Rise of Skywalker. I offer these thoughts with full appreciation for the divided opinion that exists amongst fans of the saga.

Put very simply, I loved it. I loved, as I always do, returning to the characters, ships, and settings I’ve grown up watching and imagining. I loved the subtle and not so subtle humour that has always been a part of Star Wars. I loved arriving at some conclusions which I generally found satisfying. And I absolutely adored being swept away one more time by the music of Maestro John Williams.

When I debate with the film’s detractors, it’s just for fun. They know they won’t move me, and I know they can dice me with story logic and more… but I honestly don’t care. I’m a reasonably smart man and am very aware that this latest film was far from being technically perfect, but this story, all 42 years of it, speaks 70% to my heart, and 30% to my head.

Star Wars, the “kids movies not for kids” (with thanks to JJ Abrams), remains for me the ultimate in imaginative escapism, enjoyed by my whole family and most of my friends.

Thank you George Lucas, John Williams, Ben Burtt, JJ Abrams, Rian Johnson, Lawrence Kasdan, Dave Filoni, John Favreau, Ron Howard, Gareth Edwards, Kathleen Kennedy, Bob Iger, and everyone who has contributed to this incredible generation-spanning saga and universe from a long time ago, in a galaxy far, far away…

Go and see Star Wars The Rise of Skywalker with family and friends, and May The Force Be With You!

Harrison Ford IS NOT Han Solo.

I’m 55 years old and a near lifelong fan of Science Fiction. In books, Asimov, Niven, Clark, Pohl, Bradbury, and Heinlein fired my imagination for days on end. On Television, the cathode rays of Star Trek, Space:1999, UFO, and Battlestar Galactica forced patience for soap and cigarette commercials. And in the Cinema, Star Wars and Star Trek blew my mind while showing me I was not alone in my fandom world.

Today I am a father of four who absolutely loves sharing Sci-fi with my family. In 1979 if you had told me that in 40 years I would be watching spectacular new Star Wars and Star Trek movies and Television series with my wife and kids, I am confident my vivid imagination would have tapped out. Yet here we are!

Now to the headline…

I love Harrison Ford’s portrayal of Han Solo. His perfect combination of rugged good looks, charm, and “accidental bravado” brought the space pirate invented by George Lucas to life for millions billions, and has helped make phrases like “I’ve got a bad feeling about this” truly colloquial.

However, Harrison Ford is not Han Solo just as Sean Connery is not 007, Christopher Reeve is not Superman, and <gulp> William Shatner is not James Tiberius Kirk. Each of these actors must be credited with delivering iconic and even definitive portrayals of legendary fictional characters, but no more (or no less!).

Why am I strong on this point? First, and selfishly, I want to continue enjoying new stories about fictional heroes and villains for as long as possible- certainly well after any one actor is prepared or able to portray them.

I _wanted_ to see the origins of Han Solo (and Chewie, Lando, the Falcon, and more), and thought that Alden Ehrenreich’s portrayal of the young rogue was superb. So too was I delighted by Chris Pine’s take on Captain Kirk, Daniel Craig’s Bond, and more. I also love enjoying these new stories with my kids!

Secondly, as a reader of fiction as a teen, I spent countless hours developing my own unique character interpretations as informed by the author. Saying this, I am naturally okay with the thought of many versions of the same character existing; indeed, with every reader comes a new take!

I love Harrison Ford’s portrayal of Han Solo. However, Harrison Ford IS NOT Han Solo. He can’t be. He’s Indiana Jones… 😉

Mr. K

What’s in a letter? In the world of music, if that letter is K as in ” Mr. K”, or “Ikutaro Kakehashi”, founder of Roland Corporation and inventor of the legendary “808” drum machine, well, everything.

Kakehashi-san (whose name most appropriately translates to “Bridge”) passed away on April 1st at the age of 87. The worldwide outpouring of emotion and tremendous respect from musicians, inventors, competitors, and more has been awe-inspiring- there can be no doubt that his legacy will endure forever.

While most in the world of electronic music will be familiar with his all-in personal commitment to inspiring creativity and “designing the future”, Mr. K was, despite his humble watch repairman heritage, a commanding and world-class business leader. His vision, wisdom, and skill, gained as much through adversity and failure as by his countless successes, grew Roland into a global powerhouse corporation over four decades.

In my 25 years with Roland, I am fortunate to have spent many hours in the presence of Mr. K. To say that he was an influence would be an understatement of the highest order; the guiding principles that he etched into me and others shape my decisions and actions every day.

While by no means an exhaustive list, here are a few of my favourite life lessons, brought to you today by the letter K…

Value face time.

When I joined Roland Canada, it was common to see Mr. K in our Vancouver Headquarters once or twice each year. During these visits, he would take time to walk around and enter into casual conversation with team members (it was always a thrill when he stopped to speak with me!).

In the days after his passing, social media was filled with people from across the world- Roland colleagues, musicians, retailers, and more- all claiming a personal connection with Mr. K, and many recounting multiple in-person exchanges.

How did this man, operating on one lung for most of his adult life, achieve such personal connectivity? The answer is simple but not easy: he made it his priority and committed to it.

Having started his professional life operating a tiny watch and appliance repair shop in Osaka, I suspect that Mr. K learned the value of realtime personal connection early on, and this influenced his entire life (for those that knew him, think about how many times Mr. K talked about the concept of “realtime” when describing product designs!).

In his last years with Roland, even as his health prevented him from traveling outside of Japan, face-to-face was replaced with “the phone call”- not as effective as in-person, but somehow, Mr. K still managed to create a sense of immediacy and connection.

While I have championed new communications technologies and worn the wounds of a pioneer at times, with a nod to Mr. K, I will always encourage myself and others to prioritize “Real Face Time” whenever and wherever possible.

Respect the artist.

Being personally privileged to have participated in many R&D conversations with Mr. K, there were a few “Roland Truths” that we dared not challenge (usually). At the very top of the list was a ban on any design concept that would require the established musician to significantly modify their playing technique.

Simply put, Mr. K would say that the musician had spent most of his or her life learning their craft, and it was not our way to ask them to change- to walk towards us. To the contrary, Kakehashi-san would challenge us to deeply understand and respect the musicians technique, concluding that “Roland MUST approach the musician, not the other way around!”.

This principle connects directly with his personal value of face-to-face communications, as Mr. K devoted much of his life to meeting directly with (and learning from) musicians, and he truly did listen more than he talked, as was my experience. Many Roland colleagues will have fond memories of Mr. K holding court with guitar players, drummers, DJ’s, pianists, and more- none was safe!

Share vision and wisdom freely at every opportunity.

For myself and others, Mr. K was a teacher, and it seemed so clear to me that seeing his “students” succeed brought him incredible joy.

My own experience of Mr. K’s teaching was that he often (but not always!) left the details (the step-by-step) for others, choosing instead to focus on the big picture- the guiding principles that defined for him what it truly meant to be Roland. And, he would deliver his wisdom and insight freely both inside and outside of the company.

For me, this willingness to share what he had learned, to communicate his principles, may end up being his enduring legacy. Perhaps more than anyone I have ever met, Mr. K believed in bringing others along and partnering with intention; it was his firmly held belief that in this kind of culture, _everyone_ would benefit. The history of MIDI itself is but one example of this proving itself true…

Just start.

There have been many phrases turned around the concept of getting going, from Nike’s “Just Do It”, to Seth Godin’s “Ship It”, and more. Predating all of these for me were words from Mr. K that, for a long time, despite their seeming simplicity, I did not fully embrace (or, as Mr. K would say- “I had chewed, but I had not swallowed!).

Often introduced to some planning discussion that had either lost itself in endless detail or been hung up in the pursuit of a perfect plan, Mr. K would interject with: “Just start. JUST START!”.

This urge to “just start” should not be taken as a willingness by Mr. K to proceed without due consideration of risk and return, or the presence of critical details. Not at all. What Mr. K knew deeply was that, with the target properly identified and guiding principles deeply understood, “Just Starting” would allow us to build momentum towards the goal (even if it was slowly), and to make and learn from mistakes (and he completely accepted that mistakes would be made- there was no perfect plan!).

Roland history is full of examples where the first, and sometimes even the second and third versions of a new product were not well accepted, but the willingness to start, then learn from mistakes, eventually brought artistic and commercial success (V-Drums, V-Studio, and our current range of digital video solutions are but a few examples).

What’s in a letter? In the world of music, if that letter is K as in ” Mr. K”, or “Ikutaro Kakehashi”, founder of Roland Corporation and inventor of the legendary “808” drum machine, well, everything.

Postscript: As a result of his commitment to sharing freely, Kakehasi-san’s vision for a future of Inspired Creativity will live on through the efforts of thousands worldwide, hopefully including myself – PM

The Shift: Wrestling the Ethics of Streaming

I am a musician and writer. I don’t make a living off of my content, but many of my friends and customers do. With this in mind, I have always purchased the music and media I consumed (okay, there was that brief period before Battlestar Galactica was airing on Canadian television where I might have experimented with torrents…).

With my precious music, even as my friends were listening to everything under the sun for free as they tapped services like Napster and Limewire, I paid for every disc, and then every download, without exception.

With this in mind, as Spotify and Apple Music launched in Canada (and facing incredible temptation), I began to wrestle in earnest with the ethics of streaming. I immersed myself in the arguments, admittedly leaning towards the voice of the artist/content creator. I read as much as I could about the distribution of revenue and the “fractions of pennies” creators were receiving per stream.

And then The Shift hit me…

As it had done and continues to do in so many aspects of life and business, technology had disrupted the music industry in a profound and permanent way, and there would be no turning back. More than the Compact Disc, more than the download, more than digital/satellite radio, streaming had triggered a paradigm shift in media distribution and consumption. No Turning Back.

Lamenting the passing of a revenue model based on the the sale of physical media is pointless- it will be akin to mourning the demise of the internal combustion engine 10 years from now, or arguing against Microsoft’s imminent dominance of the consumer over Apple (am I being provocative?). While the shift was triggered by technology- lightweight data, high bandwidth, always-on and connected mobile devices- its staying power is supported by generational culture.

For most Millennials and Gen-Z’s, “ownership” of physical items is not nearly as important as it is/was for Gen-X and Boomers. In the Experience Economy, ownership really means “ownership of access”- I can get my data, my music, my movies wherever and whenever I want. What is “owned” is the access to the data, not the data itself. Combine that with the power of choice- there is nothing I can’t listen to, the moment I discover it- and the argument is beyond compelling; it becomes a paradigm shift. The Shift. 

Please understand that my deep care for the content creator is stronger than ever, and it is from that deep caring place that I applaud the thousands of artists that have recognized The Shift and are exploring totally new ways to sustain themselves (the return of the live show, merchandise, house concerts, licensing, and more). I also believe there is a role for the governments of advanced economies to play in bringing new levels and types of support to the content creator in this emerging Conceptual Age (thank you, Dan Pink), but this may be the subject of a future post.

Now please excuse me as I check to see what the human curators at Apple Music have picked for me to enjoy this morning…